Push Ups (Drop & Give Me Fifty)* Lyrics - Drake

Push Ups (Drop & Give Me Fifty) may be a outstanding tune by Drake that was discharged in 2006 as portion of his inaugural mixtape, "Room for Change." This early track grandstands Drake's rising rap fashion and demonstrates his assurance and drive to succeed within the music industry. With its catchy beat and lively conveyance, the melody captures the consideration of audience members as Drake unquestionably communicates his aspiration and commitment to difficult work. As one of the standout tracks from his early career, "Push Ups (Drop & Give Me Fifty)" marks an imperative turning point in Drake's travel as an craftsman, setting the arrange for his consequent rise to ended up one of the foremost powerful figures in modern music.

[Intro]
(Whoo Kid)
Ayy

Explanation of Intro
The song starts with a shout-out to Whoo Kid, the DJ or maker mindful for the intro.

[Verse 1]
I could never be nobody number-one fan
Your first number one, I had to put it in your hand
You pussies can't get booked outside America for nan'
I'm out in Tokyo because I'm big in Japan
I'm the hit maker y'all depend on
Backstage, in my city, it was friend zone
You won't ever take no chain off of us
How the fuck you big steppin' with a size seven men's on?
This the bark with the bite, nigga, what's up?
I know my picture on the wall when y'all cook up
Extortion, baby, whole career you been shook up
'Cause Top told you drop and give me fifty like some push-ups, huh
Your last one bricked, you really not on shit
They make excuses for you 'cause they hate to see me lit
Pull your contract 'cause we gotta see the split
The way you doin' splits, bitch, your pants might rip
You better do that motherfuckin' show inside the bity
Maroon 5 need a verse, you better make it witty
Then we need a verse for the Swifties
Top say drop, you better drop and give 'em fifty
Pipsqueak, pipe down
You ain't in no big three, SZA got you wiped down
Travis got you wiped down, Savage got you wiped down
Like your label, boy, you in the scope right now
And you gon' feel the aftermath of what I write down
I'm at the top of the mountain, so you tight now
Just to have this talk with your ass, I had to hike down
Big difference between Mike then and Mike now
What the fuck is this, a 20-v-1, nigga?
What's a prince to a king? He a son, nigga
Get more love in the city that you from, nigga
Metro, shut your ho-ass up and make some drums, nigga
Yeah, I'm the 6ix god, I'm the frontrunner
Y'all nigga manager was Chubbs lil' blunt runner
Claim the 6ix and you boys ain't even come from it
And when you boys got rich, you had to run from it
Cash blowin' Abel bread, out here trickin' (Out here trickin')
Shit we do for bitches he doin' for niggas (What the fuck?)
Jets, whips, chains, wicked, wicked, wicked (Wicked, wicked)
Spend it like you tryna fuck, boy, you trippin', boy, you trippin'
Drizzy Chip 'n Dale, probably got your bitch Chanel
I just got 'em done, boy, don't make me have to chip a nail
Rolling Loud stage, y'all were turnt, that was slick as hell
Shit'll probably change if your BM start to kiss and tell
Hugs and kisses, man, don't tell me 'bout no switches
I'll be rockin' every fuckin' chain I own next visit, ayy
I be with some bodyguards like Whitney
Top say drop, your little midget-ass better fuckin'
You might also like
Champagne Moments
Rick Ross
Show of Hands
Future, Metro Boomin & A$AP Rocky
Like That
Future, Metro Boomin & Kendrick Lamar

Explanation of Verse 1
In this verse, Drake starts by stating himself as a devoted fan of no one but himself, highlighting his victory and ubiquity in Japan. He takes shots at other craftsmen who can't book appears exterior of America. Drake alludes to himself as the hit producer and criticizes other craftsmen who depend on him. He notices Beat, conceivably alluding to Anthony "Top Dawg" Tiffith, the CEO of Beat Dawg Amusement, who teaching somebody to drop and give him fifty like push-ups. Drake derides his rivals, recommending their careers are falling flat which they ought to tune in to him.

[Chorus]
Ayy, better drop and give me fifty, ayy
Drop and give me fifty, drop and give me fifty, ayy
Niggas really got me out here talkin' like I'm 50, ayy
Niggas really got me out here rappin' what I'm livin'

Explanation of Chorus
The catchy chorus emphasizes the command to drop and allow him fifty, reinforcing Drake's dominance and authority within the music industry.

[Verse 2]
I might take your latest girl and cuff her like I'm Ricky
Can't believe he jumpin' in, this nigga turnin' fifty
Every song that made it on the chart, he got from Drizzy
Spend that lil' check you got and stay up out my business
Nigga, shoutout to the hooper that be bustin' out the griddy
We know why you mad, nigga, I ain't even trippin'
All that lil' heartbroken Twitter shit for bitches
I ain't even rappin' after this, I'm way too busy
This for all the top dogs, drop and give me fifty, drop, drop
And that fuckin' song y'all got did not start the beef with us
This shit been brewin' in a pot, now I'm heatin' up
I don't care what Cole think, that Dot shit was weak as fuck
Champagne trippin', he is not fuckin' easin' up
Nigga calling Top to see if Top wanna piece it up
"Top, wanna piece it up? Top, wanna piece it up?"
Nah, pussy, now you on your own when you speakin' up
You done rolled deep to this, it's not fuckin' deep enough
Beggin' Kai Cenat, boy, you not fuckin' beatin' us
Numbers-wise, I'm out of here, you not fuckin' creepin' up
Money-wise, I'm out of here, you not fuckin' sneakin' up
Cornball, your show money merch money fee to us
I'ma let you niggas work it out because I seen enough
This ain't even everything I know, don't wake the demon up
This ain't even everything I know, don't wake the demon up
Drop and give me fifty, all you fuck niggas teamin' up

Explanation of Verse 2
Drake proceeds his fierce tone within the moment verse. He disses other specialists who attempt to mimic him and claim his success. He references his impact on the charts and rejects their attempts to compete with him. Drake too mentions individual things, such as his romantic relationships and his active schedule, showing that he has no time for locks in in encourage rap fights.

[Interlude: DJ Akademiks]
What top five you smokin' on, Kendrick?

Explanation of Interlude
DJ Akademiks, a prevalent hip-hop commentator, asks Kendrick Lamar approximately his best five favorite melodies, conceivably insinuating to the progressing contention between Drake and Kendrick.

[Outro]
Hm, hm, yeah
Drop, drop, drop, drop
Drop a fifty bag for the mob in the spot
Drop a fifty bag, twenty-nine for the thot
Uh, I was really, really tryna keep it PG

Explanation of Outro
Within the outro, Drake keeps up his certainty and braggadocious state of mind. He proposes dropping a fifty thousand dollar sack for his group and mentions a want to keep things clean and family-friendly.

[Lyrics from Demo]

Explanation of Lyrics from Demo

The verses you given are from a isolated verse, labeled as a "Demo" verse. It shows up to be another set of verses which will not be straightforwardly related to the past tune. Here's an investigation of the verse and the outro.

[Verse]
What? What?
Teamin' up with all of y'all, fallin' like some dominoes
Bros turnin' hoes, dog, like I ain't got enough of those
I can't wait to see how far you niggas get to reachin' now
This the closest thing you niggas gettin' to a feature now
Backpedal gang 'cause a few of y'all been reachin' out
Y'all drew the line, what the fuck we gotta speak about?
Get your fuckin' head tapped, you niggas get to peekin' out
You had a song for four years, drop that shit and shut your mouth

Explanation of Verse
In this verse, the verses express a angry and pretentious tone towards others. Drake notices joining up with everybody and how they are falling like dominoes, inferring that they are effectively crushed or impacted. He alludes to his companions turning into foes or traitorous people, and derides the thought that he needsmore sentimental accomplices. Drake communicates expectation to see how far these people can go in their endeavors to reach his level of victory. He recommends that collaborating with him is the closest they will get to being included on a high-profile track. He calls out those who have been coming to out to him, charging them of backpedaling or withdrawing their activities. Drake questions why they got to have a discussion or address any issues since they drew a line between them. He cautions them of potential results, utilizing the express "get your fuckin' head tapped" to suggest a potential physical showdown. He also criticizes somebody for holding onto a melody for four a long time, proposing they ought to discharge it and halt talking.

[Outro]
Shut your mouth, nigga
It's me twice in my Big Three, I had to leave you out
Fuckin' dumb-ass nigga

Explanation of Outro
The outro concludes the verse with a coordinate offended, telling the individual to closed their mouth. Drake declares his nearness twice in his "Big Three," indicating his dominance or prevalence over others. He states that he had to take off the person out of this group, emphasizing his ignore for them and their opinions.
OVERALL
The verses you given exhibit a angry and cavalier tone from the craftsman. They pass on a sense of certainty and predominance, with Drake expressing his dominance over others and dismissing their endeavors to reach his level of victory. The verses contain elements of braggadocio and a willingness to lock in in showdowns or diss tracks. In any case, it's vital to note that these verses are anecdotal and were provided as an example, so they may not precisely speak to Drake's genuine verses or current musical fashion.