Move over Drake and Kendrick, there's an unused rap quarrel in town! Megan Thee Stallion and Nicki Minaj had a warmed trade back in January, but it gratefully cooled down some time recently. (Even though a few hypothesize Megan's disses fueled the later fire between Drake and Kendrick). Megan's back with "BOA," another snake-infused track-taking after the victory of "Murmur" and "Cobra." Whereas not a full-blown diss track, it appears the expressive poison has targets, counting a conceivable hit at the uncertain pressure with Nicki Minaj.
Megan Thee Stallion overflows certainty on her modern track "BOA," testing a catchy tune. She kicks off the tune bragging approximately her quality and sex offer, whereas too implying at a later contradiction that shows up to have failed out.
Verse
I will be showin' my ass, they mad, huh? (Yeah, yeah)
Bitches is bitter, they thought it was sweet (Thought it was sweet)
All of a sudden they are vegan, they don’t want beef
Talkin' outta veneers, I’m knockin' out teeth (Baow, below, below, below)
Megan caps off her opening verse with a giggle, expelling online cynicism.
Verse
Hoes do all of that typin'
But never once did I get pressed (Never once did I get pressed)
It’s obvious bitches obsessed
This uses pleasantry to highlight the contrast between social media patterns and melodic victory: "Within the refrain, Megan tosses shade at competitors who chase TikTok notoriety rather than creating chart-topping hits."
Verse
Doin' shit for TikTok (Yeah), bitch, I’m hip-hop (Ah, ah) (Tick-tock, tick-tock, tick-tock)
They all know my shit hot, ain’t listen when your shit drop (Tick-tock, tick-tock, tick-tock) (Ah, ah, ah)
Megan dispatches into the moment verse with her signature certainty, parading her victory and celebrating her physical make-up. Owning her monetary control, she tosses in an allegory almost treating men like conversely embellishments.
Verse
Boy, I’m a player, not a savior
Niggas and purses, I got every flavor (Got every flavor)
Take a picture, I pose for the haters
Showin' my ass like adult entertainers (Yeah)
From the back, he can tell I’m from Texas (Baow)
Yellow diamonds in my necklace (In my necklace)
The closing lines may be an unpretentious hit at someone known for calling more youthful rappers their descendants within the industry.
Verse
All that fuckin' talkin', but let’s see who make a move (Make a move)
Post a picture, bitches call me “Mother,” now who’s Sonning who?
The title "BOA" draws impact from a capable female character, whereas the music video detonates with dynamic symbolism reminiscent of classic video diversions.