Maren Morris has opened up about her decision to step back from the country music industry in a recent interview on the New York Times Popcast podcast. She shed light on her experiences as an artist in Nashville and the backlash she has faced for speaking out about the industry's shortcomings.
In her candid conversation, Morris clarified that her departure from country music is more symbolic than literal. She expressed that she no longer wishes to engage with the toxic aspects of the industry. This includes her request not to be considered for potential country music award nominations and her transition to Columbia Records from the label's Nashville division.
Morris has consistently used her platform to advocate for the LGBTQ community, denounce racism and misogyny, and address other pressing issues. Notably, she was involved in a public disagreement with Jason Aldean and his wife, Brittany Aldean, over trans rights. She also condemned Morgan Wallen's use of a racial slur, a stance that triggered a strong reaction from some quarters within the country music world.
Becoming a mother in 2020 and her success with the song "The Bones" marked significant changes in Morris's life. She used her CMA Award acceptance speech to uplift women of color within country music, a move that challenged traditional norms within the genre.
Morris explained that the country music industry has a deeply ingrained culture that discourages criticism and protects its own, often equating any criticism with an attack on core values and beliefs. She cited her tweet criticizing Morgan Wallen's actions as a turning point where she realized the industry's power and its ability to protect itself.
The fallout from her stance included not only public backlash but also death threats, even directed at her son, which she found deeply distressing. While Morris is committed to holding individuals accountable for their actions, she doesn't want this to define her entire career.
Looking ahead, Morris wants to create music in a space where all are welcome, without the confines of the country music industry. She emphasizes that her intention is not to alienate country music fans but to explore a broader musical landscape. She remains committed to Nashville, where she lives with her family and collaborates with talented songwriters.
Regarding her upcoming album, Morris has collaborated with Jack Antonoff and is experimenting with a range of musical styles, from quirky jam-band moments to prog rock. She is excited about the freedom to take creative risks and welcomes new collaborations that offer fresh perspectives.
In shaping her future career path, Morris draws inspiration from artists like Taylor Swift, who has supported her through the years, and Linda Ronstadt, who seamlessly transitioned between genres. Morris's recent songs, "The Tree" and "Get the Hell Out of Here," reflect her journey of leaving toxic environments and seeking greener pastures.
In an Instagram post, Morris explained that "The Tree" symbolizes letting go of toxic relationships, while "Get the Hell Out of Here" represents the aftermath of making tough decisions. She emphasizes that doing the right thing can sometimes be lonely, but she's determined to move forward with her convictions.